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Peter Frans de Graaf

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  • september 2022

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© 2023 Peter Frans de Graaf.

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'Field', 30x46cm, watercoloour, gouache & oilpaint 'Field', 30x46cm, watercoloour, gouache & oilpaint on etchingpaper, no: 2021-06-19. price range: 500-1000 euro/dollar PFDG: 'People did call my work with 4 horizontal strips 'flags'. I called them 'fields', for there is allways space in them. And there is also -almost allways- some kind of painted structure in the paintlayer, whatever paint i may use. That's, aha aha, the way i like it.'
'Field', 30x46cm, gouache & oilpaint on etchingpap 'Field', 30x46cm, gouache & oilpaint on etchingpaper, no: 2021-06-16. price range: 500-1000 euro/dollar PFDG: 'People did call my work with 4 horizontal strips 'flags'. I called them 'fields', for there is allways space in them. And there is also -almost allways- some kind of painted structure in the paintlayer, whatever paint i may use. That's, aha aha, the way i like it.'
'Field', 30x46cm, gouache & oilpaint on etchingpap 'Field', 30x46cm, gouache & oilpaint on etchingpaper, no: 2021-06-14. price range: 500-1000 euro/dollar PFDG: 'People did call my work with 4 horizontal strips 'flags'. I called them 'fields', for there is allways space in them. And there is also -almost allways- some kind of painted structure in the paintlayer, whatever paint i may use. That's, aha aha, the way i like it.'
'Field', 30x46cm, gouache & oil on Tiepolo etching 'Field', 30x46cm, gouache & oil on Tiepolo etchingpaper, no: 2021-06-10. price range: 500-1000 euro/dollar PFDG: 'People did call my work with 4 horizontal strips 'flags'. I called them 'fields', for there is allways space in them. But there is also almost allways some kind of painted structure in the paintlayer. That's, aha aha, the way i like it.'
'Field', 30x46cm, gouache, oil & tempera on waterc 'Field', 30x46cm, gouache, oil & tempera on watercolourpaper, no: 2021-06-08. price range: 500-1000 euro/dollar PFDG: 'People did call my work with 4 horizontal strips 'flags'. I called them 'fields', for there is allways space in them. But there is also almost allways some kind of painted structure in the paintlayer in whatever paint i may use. That's, aha aha, the way i like it.'
'Field', 30x46cm, gouache, ink & tempera on etchin 'Field', 30x46cm, gouache, ink & tempera on etchingpaper, no: 2019-08-27. price range: 500-1000 euro/dollar PFDG: 'People did call my work with 4 horizontal strips 'flags'. I called them 'fields', for there is allways space in them. But there is also almost allways some kind of painted structure in the paintlayer. That's, aha aha, the way i like it.'
'Field', 30x46cm, gouache, ink & tempera on etchin 'Field', 30x46cm, gouache, ink & tempera on etchingpaper, no: 2019-08-25. price range: 500-1000 euro/dollar PFDG: 'Sometimes i don't paint darker landscapes. This one has quite simple and clear, maybe summery colours. Allthough i never like the colour to be too plain or have a obvious order. There must be some surprise in it.'
'Field', 30x46cm, gouache, tempera on watercolourp 'Field', 30x46cm, gouache, tempera on watercolourpaper, no: 2019-08-24. price range: 500-1000 euro/dollar PFDG: 'Quite often i paint the colder and darker landscapes. I'm definitely not a depressed person, on the contrary! I just like these semi-dark landscape. They call for gazing and time running not too fast. Thats the way i like it.'
'Field', 30x46cm, gouache, ink & tempera on etchin 'Field', 30x46cm, gouache, ink & tempera on etchingpaper, no: 2019-08-21. price range: 500-1000 euro/dollar PFDG: 'Quite often i paint the colder and darker landscapes. I'm definitely not a depressed person, on the contrary! I just like these semi-dark landscape. They call for gazing and time running not too fast. One way i like it.'
'Field (september), 30x46cm, gouache, ink & temper 'Field (september), 30x46cm, gouache, ink & tempera on watercolourpaper, no: 2018-09-06. price range: 500-1000 euro/dollar PFDG: 'Sometimes i'm a little stricter in the minimalism i use in my fields, yet another time they are a little more organic. I find my audience liking the organic versions a little more, while i myself would collect the formal ones.'
'Field (september, second version, first version d 'Field (september, second version, first version destroyed), 30x43cm, gouache, ink & tempera on watercolourpaper, no: 2018-09-04. price range: 500-1000 euro/dollar PFDG: 'Sometimes i'm a little stricter in the minimalism i use in my fields, yet another time they are a little more organic. I find my audience liking the organic versions a little more, while i myself would collect the formal ones.'
'Field (small), 30x43cm, gouache, ink & tempera on 'Field (small), 30x43cm, gouache, ink & tempera on watercolourpaper, no: 2018-08-29. price range: 500-1000 euro/dollar PFDG: 'Sometimes i'm a little stricter in the minimalism i use in my fields, yet another time they are a little more organic. I find my audience liking the organic versions a little more, while i myself would collect the formal ones.'
'Ode to Friedrich', photo ±200x350cm, no: 2018.05 'Ode to Friedrich', photo ±200x350cm, no: 2018.05.01 price range: nfs - commissioned PFDG: 'I allways wondered why certain paintings become key works in history. Such as 'Death of Marat' by J.L David or 'Monk at Sea' by C.D.Friedrich. Since i saw the latter painting in Germany i know, the visual quality is stunning. To me thats the main reason for the fame. I varied on a specific part of this painting as an ode to Friedrich in this photograph'.
'Mirrored Field', proposal for a mural at Kunstenl 'Mirrored Field', proposal for a mural at Kunstenlab, ±350x600cm, no: 2018.11.05 price range: 2000-5000 euro/dollar depending on site specific situations PFDG: 'For show at Kunstenlab i realized this mural with materials that are not in use for murals nowadays: bister, citrusoilpaint and gouache. These have their specific expressionistic possibilities and are less polluting than acrylic.'
'Cloud with and without', photo 130x82cm, edition 'Cloud with and without', photo 130x82cm, edition 6, no: 2018.06.30 price range: 1000-1500 euro PFDG: 'When i use digital imaging, i rather use it in a very radical or visible way. E.g. something i could do by hand or by silkscreen. There is no aditional detailed digital manipulation of the photos i take'.
'Field', gouache & watercolour on etchingpaper, 30 'Field', gouache & watercolour on etchingpaper, 30x42cm, no: 2018.08.28 collection: Wolf
'Field (winter)', gouache & ink on etchingpaper, 3 'Field (winter)', gouache & ink on etchingpaper, 30x42cm, no: 2018.08.28 price range: 500-1000 euro/dollar
'Field (Summer)', gouache on etchingpaper, 30x42cm 'Field (Summer)', gouache on etchingpaper, 30x42cm, no: 2017.05.24 collection: Van Calveen
'Field Answer', gouache & tempera on etchingpaper, 'Field Answer', gouache & tempera on etchingpaper, 1x 61x40cm, no: 2018-06-25 price range: 750-1000 euro/dollar PFDG: 'Thinking of colour interacting within a painting, it will also interact with other paintings. So i designed a painting as a question, and then subsequently painted an answer to it. The answer was mainly about colour, tone or skin. Sometimes i painted the Answer first and tried to paint the question. Sometimes, like here, the Answer stayed autonomous. There may never be a question. (Like M. Duchamp: there is no answer because there is no question)
'Field Question & Answer', gouache & tempera on et 'Field Question & Answer', gouache & tempera on etchingpaper, 2x 61x40cm, no: 2018-06-07 price range: (set of 2) 1500-2000 euro/dollar PFDG: 'Thinking of colour interacting within a painting, it will also interact with other paintings. So i designed a painting as a question, and then subsequently painted an answer to it. The answer was mainly about colour, tone or skin. Sometimes i painted the Answer first and tried to paint the question. Sometimes the Question or Answer stayed autonomous.
'Field Question & Answer', gouache & tempera on et 'Field Question & Answer', gouache & tempera on etchingpaper, 2x 61x40cm, no: 2017-10-01 price range: (set of 2) 1500-2000 euro/dollar PFDG: 'Thinking of colour interacting within a painting, it will also interact with other paintings. So i designed a painting as a question, and then subsequently painted an answer to it. The answer was mainly about colour, tone or skin. Sometimes i painted the Answer first and tried to paint the question. Sometimes the Question or Answer stayed autonomous.
'Mirrored Field – proposal for mural', gouache & i 'Mirrored Field - proposal for mural', gouache & ink, digital imagery, no: 2018-07-03 price range: commission depending quotation After broadening the size of some of my 'Fields' to make them more landscape-like and less abstract, i used this size again but now vertical. It's more difficult to see depth in these vertical fields, but the eye can learn i suppose. Once used to this kind of viewing, depth returns also with vertical horizons. The larger sizes hope to pull the viewer better into the works. So i made a few murals and mural proposals.
'Mirrored Field – proposal for mural', gouache & i 'Mirrored Field - proposal for mural', gouache & ink, digital imagery, no: 2018-07-02 price range: commission depending quotation After broadening the size of some of my 'Fields' to make them more landscape-like and less abstract, i used this size again but now vertical. It's more difficult to see depth in these vertical fields, but the eye can learn i suppose. Once used to this kind of viewing, depth returns also with vertical horizons. The larger sizes hope to pull the viewer better into the works. So i made a few murals and mural proposals.
'Mirrored Field', watercolour, colourpencil, gouac 'Mirrored Field', watercolour, colourpencil, gouache & ink on etching paper, 82x120cm, no: 2017-05-21 price range: 2500 - 3000 euro/dollar After broadening the size of some of my 'Fields' to make them more landscape-like and less abstract, i used this size again but now vertical. It's more difficult to see depth in these vertical fields, but the eye can learn i suppose. Once used to this kind of viewing, depth returns also with vertical horizons. The larger sizes hope to pull the viewer better into the works on paper. Paper has such a delicate surface. Just oil on linen is fine, but paper gives millions of extra nuances to paint and ink.
'Mirrored Field', gouache & ink on etching paper, 'Mirrored Field', gouache & ink on etching paper, 82x120cm, no: 2017-04-13 price range: 2500 - 3000 euro/dollar After broadening the size of some of my 'Fields' to make them more landscape-like and less abstract, i used this size again but now vertical. It's more difficult to see depth in these vertical fields, but the eye can learn i suppose. Once used to this kind of viewing, depth returns also with vertical horizons. The larger sizes hope to pull the viewer better into the works on paper. Paper has such a delicate surface. Just oil on linen is fine, but paper gives millions of extra nuances to paint and ink.
'Mirrored Field', gouache & ink on etching paper, 'Mirrored Field', gouache & ink on etching paper, 82x120cm, no: 2017-02-05 price range: 2500 - 3000 euro/dollar After broadening the size of some of my 'Fields' to make them more landscape-like and less abstract, i used this size again but now vertical. It's more difficult to see depth in these vertical fields, but the eye can learn i suppose. Once used to this kind of viewing, depth returns also with vertical horizons. The larger sizes hope to pull the viewer better into the works on paper. Paper has such a delicate surface. Just oil on linen is fine, but paper gives millions of extra nuances to paint and ink.
'Mirrored Field', gouache & ink on etching paper, 'Mirrored Field', gouache & ink on etching paper, 82x120cm, no: 2017-01-24 price range: 2500 - 3000 euro/dollar After broadening the size of some of my 'Fields' to make them more landscape-like and less abstract, i used this size again but now vertical. It's more difficult to see depth in these vertical fields, but the eye can learn i suppose. Once used to this kind of viewing, depth returns also with vertical horizons. The larger sizes hope to pull the viewer better into the works on paper. Paper has such a delicate surface. Just oil on linen is fine, but paper gives millions of extra nuances to paint and ink.
'IJssel-lane-sludge', photo, 60 x 91cm, edition 6, 'IJssel-lane-sludge', photo, 60 x 91cm, edition 6, no: 2016.05.27 price range 750-1000 euro/dollar PFDG: 'After i left the necessity of asymmetrical balance in my compositions, i found much fun in being extremely straightforward: space seems to argue with the flat surface of the picture.'
'IJssel-lane-sludge', photo, 60 x 91cm, edition 6, 'IJssel-lane-sludge', photo, 60 x 91cm, edition 6, no: 2016.05.26 price range 750-1000 euro/dollar PFDG: 'After i left the necessity of asymmetrical balance in my compositions, i found much fun in being extremely straightforward: space seems to argue with the flat surface of the picture.'
'IJssel-lane-sludge', photo, 60 x 91cm, edition 6, 'IJssel-lane-sludge', photo, 60 x 91cm, edition 6, no: 2016.05.25 price range 750-1000 euro/dollar PFDG: 'After i left the necessity of asymmetrical balance in my compositions, i found much fun in being extremely straightforward: space seems to argue with the flat surface of the picture.'
'Field (small)', 30x46cm, watercolour, gouache & t 'Field (small)', 30x46cm, watercolour, gouache & tempera on etchingpaper, no: 2016.09.11 price range: 500-1000 euro/dollar PFDG: 'Field consisting of 4 layers and with that several horizons become a centerpoint in my work in all kinds of sizes and variations. These small fields are quick and a little more organic.'
'Field (small)', 30x46cm, watercolour, ink, oil, g 'Field (small)', 30x46cm, watercolour, ink, oil, gouache & tempera on etchingpaper, no: 2016.09.09 price range: 500-1000 euro PFDG: 'Fields consisting of 4 layers and with that several horizons become a centerpoint in my work in all kinds of sizes and variations. These small fields are quick and a little more organic.'
'Field (small)', 30x46cm, watercolour, gouache & t 'Field (small)', 30x46cm, watercolour, gouache & tempera on etchingpaper, no: 2016.09.03 collection Ramakers PFDG: 'Field consisting of 4 layers and with that several horizons become a centerpoint in my work in all kinds of sizes and variations. These small fields are quick and a little more organic.'
'Field (small)', 30x46cm, watercolour, gouache & t 'Field (small)', 30x46cm, watercolour, gouache & tempera on etchingpaper, no: 2016.09.02 price range: 500-1000 euro PFDG: 'Fields consisting of 4 layers and with that several horizons become a centerpoint in my work in all kinds of sizes and variations. These small fields are quick and a little more organic.'
'Field (small)', 30x46cm, watercolour, gouache, in 'Field (small)', 30x46cm, watercolour, gouache, ink & tempera on etchingpaper, no: 2016.03.33 price range: 500-1000 euro PFDG: 'Fields consisting of 4 layers and with that several horizons become a centerpoint in my work in all kinds of sizes and variations. These small fields are quick and a little more organic.'
'Field (small)', 30x46cm, watercolour, gouache & t 'Field (small)', 30x46cm, watercolour, gouache & tempera on etchingpaper, no: 2016.03.28 price range: 500-1000 euro PFDG: 'Fields consisting of 4 layers and with that several horizons become a centerpoint in my work in all kinds of sizes and variations. These small fields are quick and a little more organic.'
'Field (small)', 30x46cm, watercolour, gouache & t 'Field (small)', 30x46cm, watercolour, gouache & tempera on etchingpaper, no: 2016.03.27 price range: 500-1000 euro PFDG: 'Fields consisting of 4 layers and with that several horizons become a centerpoint in my work in all kinds of sizes and variations. These small fields are quick and a little more organic.'
'Field (small)', 30x46cm, watercolour, gouache, in 'Field (small)', 30x46cm, watercolour, gouache, ink & tempera on etchingpaper, no: 2016.03.25 price range: 500-1000 euro PFDG: 'Fields consisting of 4 layers and with that several horizons become a centerpoint in my work in all kinds of sizes and variations. These small fields are quick and a little more organic.'
'Field (small)', 30x46cm, gouache, tempera, ink, w 'Field (small)', 30x46cm, gouache, tempera, ink, watercolour on paper, no: 2016.03.24 price range: 500-1000 euro/dollar PFDG: 'The status of a field divided in 4 parts, and therefore with several horizons, becomes a returning centerpoint in my work in all kinds of sizes and variations.'
'Consession no14', oil on linen, 31x98cm, no: 2017 'Consession no14', oil on linen, 31x98cm, no: 2017.01.14 price range: 1000-1500 euro/dollar PFDG: 'Since i left the Christian doctrine of the number 3 a long time ago, and still have my reasons for it. These landscapes -partly from my youth- needed to be in three parts somehow again. So i ironicly called them Concessions, as in giving in again to something i left behind.'
'Consession no 11(revised yellow over cyan)', oil 'Consession no 11(revised yellow over cyan)', oil on linen, 31x98cm, no: 2017.01.13 price range: 1000-1500 euro/dollar PFDG: 'Since i left the Christian doctrine of the number 3 a long time ago, and still have my reasons for it. These landscapes -partly from my youth- needed to be in three parts somehow again. So i ironicly called them Concessions, as in giving in again to something i left behind.'
'Consession no 8 (yellow over blue)', oil on linen 'Consession no 8 (yellow over blue)', oil on linen, 31x98cm, no: 2016.06.10 price range: 1000-1500 euro/dollar PFDG: 'Since i left the Christian doctrine of the number 3 a long time ago, and still have my reasons for it. These landscapes -partly from my youth- needed to be in three parts somehow again. So i ironicly called them Concessions, as in giving in again to something i left behind.'
'Consession no 7', oil on linen, 31x98cm, no: 2016 'Consession no 7', oil on linen, 31x98cm, no: 2016.06.04 n.f.s. destroyed (CBK Drenthe) PFDG: 'Since i left the Christian doctrine of the number 3 a long time ago, and still have my reasons for it. These landscapes -partly from my youth- needed to be in three parts somehow again. So i ironicly called them Concessions, as in giving in again to something i left behind.'
'Consession no 6', oil on linen, 31x98cm, no: 2016 'Consession no 6', oil on linen, 31x98cm, no: 2016.06.04 price range: 1000-1500 euro/dollar PFDG: 'Since i left the Christian doctrine of the number 3 a long time ago, and still have my reasons for it. These landscapes -partly from my youth- needed to be in three parts somehow again. So i ironicly called them Concessions, as in giving in again to something i left behind.'
'Consession no 5', oil on linen, 31x98cm, no: 2016 'Consession no 5', oil on linen, 31x98cm, no: 2016.06.04 n.f.s. destroyed (CBK Drenthe) PFDG: 'Since i left the Christian doctrine of the number 3 a long time ago, and still have my reasons for it. These landscapes -partly from my youth- needed to be in three parts somehow again. So i ironicly called them Concessions, as in giving in again to something i left behind.'
'Consession no 3', oil on linen, 31x98cm, no: 2016 'Consession no 3', oil on linen, 31x98cm, no: 2016.04.09 price range: 1000-1500 euro/dollar PFDG: 'Since i left the Christian doctrine of the number 3 a long time ago, and still have my reasons for it. These landscapes -partly from my youth- needed to be in three parts somehow again. So i ironicly called them Concessions, as in giving in again to something i left behind.'
'Consession no 2', oil on linen, 31x98cm, no: 2016 'Consession no 2', oil on linen, 31x98cm, no: 2016.04.09 price range: 1000-1500 euro/dollar PFDG: 'Since i left the Christian doctrine of the number 3 a long time ago, and still have my reasons for it. These landscapes -partly from my youth- needed to be in three parts somehow again. So i ironicly called them Concessions, as in giving in again to something i left behind.'
'Consession no 1', oil on linen, 31x98cm, no: 2016 'Consession no 1', oil on linen, 31x98cm, no: 2016.04.09 price range: 1000-1500 euro/dollar PFDG: 'Since i left the Christian doctrine of the number 3 a long time ago, and still have my reasons for it. These landscapes -partly from my youth- needed to be in three parts somehow again. So i ironicly called them Concessions, as in giving in again to something i left behind.'
'Field Monumental', oil on linen, 145x218cm, no: 2 'Field Monumental', oil on linen, 145x218cm, no: 2017.01.04. price range: 4500-6000 euro/dollar PFDG: 'I found out that gravity is not just a force from top to bottom, but also from outside in. These monumentally sized canvases can lure the spectator into them just as naturalism does. For me they are not just abstract, they are also landscapes. It takes some time to imagine, understand and feel a vertical horizon. In the end it will work.'
'Field Monumental', oil on linen, 145x218cm, no: 2 'Field Monumental', oil on linen, 145x218cm, no: 2017.01.03. price range: 4500-6000 euro/dollar PFDG: 'I found out that gravity is not just a force from top to bottom, but also from outside in. These monumentally sized canvases can lure the spectator into them just as naturalism does. For me they are not just abstract, they are also landscapes. It takes some time to imagine, understand and feel a vertical horizon. In the end it will work.'
'Field Monumental', oil on linen, 145x218cm, no: 2 'Field Monumental', oil on linen, 145x218cm, no: 2017.01.01. price range: 4500-6000 euro/dollar PFDG: 'I found out that gravity is not just a force from top to bottom, but also from outside in. These monumentally sized canvases can lure the spectator into them just as naturalism does. For me they are not just abstract, they are also landscapes. It takes some time to imagine, understand and feel a vertical horizon. In the end it will work.'
'IJsselpanorama', photo & oil on etching paper, 38 'IJsselpanorama', photo & oil on etching paper, 38x76cm, edition 2, no: 2015.12.03 price range: 500-1000 euro/dollar PFDG: 'The technique of printing photos on etching paper (mounted in aluminium plate) makes it possible to really paint in, on and along your photograps, and present it as a unity. A wonderfull new developement.'
'IJsselpanorama', photo & oil on etching paper, 38 'IJsselpanorama', photo & oil on etching paper, 38x76cm, edition 2, no: 2015.12.02 price range: 500-1000 euro/dollar PFDG: 'The technique of printing photos on etching paper (mounted in aluminium plate) makes it possible to really paint in, on and along your photograps, and present it as a unity. A wonderfull new developement.'
'IJsselpanorama', photo & oil on etching paper, 38 'IJsselpanorama', photo & oil on etching paper, 38x76cm, edition 2, no: 2015.12.01 price range: 500-1000 euro/dollar PFDG: 'The technique of printing photos on etching paper (mounted in aluminium plate) makes it possible to really paint in, on and along your photograps, and present it as a unity. A wonderfull new developement.'
'Spot Light', photo, ±80x80cm, no: 2017.04.22 no 'Spot Light', photo, ±80x80cm, no: 2017.04.22 no 2907 PFDG: 'I helped a pupil with a project about light & dark. I took pictures straight under the lamps and spotlights in the schoolbuilding for inspiration. it became a wonderfull project for her too.' I photografed lamps straight up ever since.'
'Branches on point', photo ± 100x100cm, no: 2013. 'Branches on point', photo ± 100x100cm, no: 2013.06.23. price range 750-1250 euro
'Spot Light', photo, ±80x80cm, no: 2015.06.22 PF 'Spot Light', photo, ±80x80cm, no: 2015.06.22 PFDG: 'I helped a pupil with a project about light & dark' I took these pictures straight under the lamps and spotlights in the schoolbuilding for inspiration. it became a wonderfull project for her too.'
'GreyBulkSand no 5', photo 18x28cm, edition 3, no: 'GreyBulkSand no 5', photo 18x28cm, edition 3, no: 2012.06.05 price range 250-500 euro/dollar PFDG: 'These photographs were taken in a bulk transport ship at the IJssel. For an imaginative Dutchman it's easy to see mountains in the heaps of gray and black sand.'
'GreyBulkSand no 11', photo 28x11cm, edition 3, no 'GreyBulkSand no 11', photo 28x11cm, edition 3, no: 2012.06.11 price range 250-500 euro/dollar PFDG: 'These photographs were taken in a bulk transport ship at the IJssel. For an imaginative Dutchman it's easy to see mountains in the heaps of gray and black sand.'
'GreyBulkSand no 2', photo 18x28cm, edition 3, no: 'GreyBulkSand no 2', photo 18x28cm, edition 3, no: 2012.06.02 price range 250-500 euro/dollar PFDG: 'These photographs were taken in a bulk transport ship at the IJssel. For an imaginative Dutchman it's easy to see mountains in the heaps of gray and black sand.'
'Photodamage (no photoshop)', photo, edition 10, 7 'Photodamage (no photoshop)', photo, edition 10, 75 x 100cm, no:2014.05.20-1695 PFDG: 'My iphone fell out of my car just so that it did break in a specific way. Between ±10 and 25 degrees Celcius it automaticly disturbes the pictures it takes all in a different way. Someone else may have thrown the camera away. But this fits my work of art just perfectly well. I made thousands of these pictures. Still love the automatic disturbance and select the best from it.' price range: 1000-1500 euro/dollar
'Photodamage (no photoshop)', photo, edition 10, 7 'Photodamage (no photoshop)', photo, edition 10, 75x100cm, no:2015.08.16 PFDG: 'My iphone fell out of my car just so that it did break in a specific way. Between ±10 and 25 degrees Celcius it automaticly disturbes the pictures it takes all in a different way. Someone else may have thrown the camera away. But this fits my work of art just perfectly well. I made thousands of these pictures. Still love the automatic disturbance and select the best from it.' price range: 1000-1500 euro/dollar
'Photodamage (no photoshop)', photo, edition 10, 7 'Photodamage (no photoshop)', photo, edition 10, 75x100cm, no:2014.05.20 PFDG: 'My iphone fell out of my car just so that it did break in a specific way. Between ±10 and 25 degrees Celcius it automaticly disturbes the pictures it takes all in a different way. Someone else may have thrown the camera away. But this fits my work of art just perfectly well. I made thousands of these pictures. Still love the automatic disturbance and select the best from it.' price range: 1000-1500 euro/dollar
'BertJan, 5 minute drawing', charcoal, 65x50cm, no 'BertJan, 5 minute drawing', charcoal, 65x50cm, no: 2014.01.23 PFDG: 'I studied nudes from my first year at the academy, and still do. It's useful and fun to do it in a relatively short time.'
'Najade, 5 minute drawing', soft pastel & Indian i 'Najade, 5 minute drawing', soft pastel & Indian ink, 65x50cm, no: 2014.01.22 PFDG: 'I studied nudes from my first year at the academy, and still do. It's useful and fun to do it in a relatively short time.'
'Najade, 5 minute drawing', charcoal, 65x50cm, no: 'Najade, 5 minute drawing', charcoal, 65x50cm, no: 2014.01.08 PFDG: 'I studied nudes from my first year at the academy, and still do. It's useful and fun to do it in a short time.'
'Myrrha, 1 minute drawing', gouache, pastel & Indi 'Myrrha, 1 minute drawing', gouache, pastel & Indian ink, 65x50cm, no: 2014.01.04 PFDG: 'I studied nudes from my first year at the academy, and still do. It's useful and fun to do it in a very short time.'
'Truus, 1 minute drawing', charcoal & bister, 65×5 'Truus, 1 minute drawing', charcoal & bister, 65x50cm, no: 2014.01.21 PFDG: 'I studied nudes from my first year at the academy, and still do. It's useful and fun to do it in a very short time.'
'Najade, 1 minute drawing', charcoal & Indian ink, 'Najade, 1 minute drawing', charcoal & Indian ink, 65x50cm, no: 2014.01.20 PFDG: 'I studied nudes from my first year at the academy, and still do. It's useful and fun to do it in a very short time.'
'Between Summer & Autumn', oil on linen, 82x82cm, 'Between Summer & Autumn', oil on linen, 82x82cm, no: 2013.06.20. PFDG: 'I meant to make a four seasons series, but this time specific of the turns of the seasons'.
'Between Spring & Summer', oil on linen, 82x82cm, 'Between Spring & Summer', oil on linen, 82x82cm, no: 2013.06.21. PFDG: 'I meant to make a four seasons series, but this time specific of the turns of the seasons'.
'Between Autumn & Winter', oil on linen, 82x82cm, 'Between Autumn & Winter', oil on linen, 82x82cm, no: 2013.06.19. PFDG: 'I meant to make a four seasons series, but this time specific of the turns of the seasons'.
'CloudArmy', photo and gouache on etchingpaper, ed 'CloudArmy', photo and gouache on etchingpaper, edition 2, ± 55x75cm, no: 2012.06.05 collection Aldershof-Koch
'CloudField in June', oil on canvas, 122x166cm, no 'CloudField in June', oil on canvas, 122x166cm, no: 2012.06.04 PFDG: 'I studied what clouds averagely may look like in a certain month of the year. In june e.g. the warmer showers seem more colourfull than in wintertime'.
'CloudField in May', oil on canvas, 122x166cm, no: 'CloudField in May', oil on canvas, 122x166cm, no: 2012.06.03 PFDG: 'I studied what clouds averagely may look like in a certain month of the year. In may e.g. they get very high in the sky in comparision to wintertime'.
'Cloud', gouache and pastel on paper, ±20x25cm, n 'Cloud', gouache and pastel on paper, ±20x25cm, no: 2012.06.01 'Study of clouds in gouache and pastel for a presentation in Kleve.
'Cloud', gouache on paper, ±20x25cm, no: 2012.05. 'Cloud', gouache on paper, ±20x25cm, no: 2012.05.06 'Study of clouds in gouache and ink for a presentation in Kleve.
'Cloud', photo ±2x5meter, edition 2, no: 2011.03. 'Cloud', photo ±2x5meter, edition 2, no: 2011.03.01 This photo is printed on a very large format. Standig in front of it (close by) it is hard to see were the light of the cloud starts and where it ends.
'Rothko Erased', correction roller & black marker 'Rothko Erased', correction roller & black marker on newspaper, part 2 of 2x ±50x40cm. price range: 250-750 euro/dollar PFDG: 'There is a lot of bullshit art-talk. I used my 'Erase-principle' on art-reviews in newspapers or magazins; i erased the bullshit to leave just the information and a visual better image. Not every critic was happy with my version of: 'to write is to delete'.
'Rothko Erased', correction roller & black marker 'Rothko Erased', correction roller & black marker on newspaper, ±part1 of 2x 50x40cm. price range: 250-750 euro/dollar PFDG: 'There is a lot of bullshit art-talk. I used my 'Erase-principle' on art-reviews in newspapers or magazins; i erased the bullshit to leave just the information and a visual better image. Not every critic was happy with my version of: 'to write is to delete'.
'Heaven Erased', correction roller & black marker 'Heaven Erased', correction roller & black marker on newspaper, ±50x40cm. price range: 250-750 euro/dollar PFDG: 'There is a lot of bullshit art-talk. I used my 'Erase-principle' on art-reviews in newspapers or magazins; i erased the bullshit to leave just the information and a visual better image. Not every critic was happy with my version of: 'to write is to delete'.
'Field Wide', chalk, watercolour & charcoal on etc 'Field Wide', chalk, watercolour & charcoal on etchingpaper, 60x91cm, no: 2006.12.19 price range: 1250-1750 euro
'Field Wide', graphite, carbon & charcoal on etchi 'Field Wide', graphite, carbon & charcoal on etchingpaper, 60x91cm price range: 1250-1750 euro
'Field Wide', gouache, India ink & charcoal on etc 'Field Wide', gouache, India ink & charcoal on etchingpaper, 60x91cm price range: 1250-1750 euro
'Field Wide', indian ink, carbon, charcoal & graph 'Field Wide', indian ink, carbon, charcoal & graphite on etchingpaper, 60x91cm n.f.s.
'Field Wide', gouache & ink on etchingpaper, 60×91 'Field Wide', gouache & ink on etchingpaper, 60x91cm, no: 2007.05.07 price range: 1250-1750 euro
'Field Wide', gouache & ink on etchingpaper, 60×91 'Field Wide', gouache & ink on etchingpaper, 60x91cm sold: collection Schelfhout
'Field Wide', gouache & ink on etchingpaper, 60×91 'Field Wide', gouache & ink on etchingpaper, 60x91cm, no: 2007.05.04 price range: 1250-1750 euro
'Field Wide', gouache & ink on etchingpaper, 60×91 'Field Wide', gouache & ink on etchingpaper, 60x91cm, no: 2007.01.03 price range: 1250-1750 euro
'Field (21 parts)', oil on canvas ±45x185cm, sol 'Field (21 parts)', oil on canvas ±45x185cm, sold, collection De Roos
'Erased Field (Uitgevlakt Veld)' photo 60x82cm, ph 'Erased Field (Uitgevlakt Veld)' photo 60x82cm, photo, edition 10, no:2005.07.24 This photo is made in line with my erase-principle: If you cut-off, paint black or erase everything that is ugly, you will get something beautiful'. price range: 500-1000 euro
'Erased Floodplain(Uitgevlakt-uiterwaarde)', photo 'Erased Floodplain(Uitgevlakt-uiterwaarde)', photo, edition 6, no: 2005.06.21 This photo is made in line with my erase-principle: If you cut-off, paint black or erase everything that is ugly, you will get something beautiful'. price range: 500-1000 euro
'Erased(Uitgevlakt)', photo 38x104cm, edition 6, n 'Erased(Uitgevlakt)', photo 38x104cm, edition 6, no: 2005.06.18 This photo is made in line with my erase-principle: If you cut-off, paint black or erase everything that is ugly, you will get something beautiful'. sold out
'Across the IJssel', photo & Silkscreenprint, edit 'Across the IJssel', photo & Silkscreenprint, edition 6, no: 2007.02.24 price range: 500-1000 euro
'Tree-field-lila', silkscreenprint (oil on paper) 'Tree-field-lila', silkscreenprint (oil on paper) edition 2, no: 2005.05.20 price range 750-1500 euro/dollar
'Dangling Trunks', photo, edition 4, no: 2007.01.2 'Dangling Trunks', photo, edition 4, no: 2007.01.26 collection Prent
'Vista', oil on canvas, ±110x170cm, no: 2005.03.0 'Vista', oil on canvas, ±110x170cm, no: 2005.03.01 This painting is partially silkscreened with oilpaint, edition 1 sold (collection Van der Laar - Van Wijk)
'Forest spirit', ±105x55cm, oil on paper (silkscr 'Forest spirit', ±105x55cm, oil on paper (silkscreen & monotype), no: 2005.04.02 sold (collection Van de Broek)
'Night trail', oil on paper, ±60x85cm, no: 2006.1 'Night trail', oil on paper, ±60x85cm, no: 2006.10.26 This painting is partially silkscreened with oilpaint, edition 1 sold (collection Haverkamp)
'IJssel-trail-bridge', photo, ±40x90cm, edition 6 'IJssel-trail-bridge', photo, ±40x90cm, edition 6, no: 2006.05.01 price range 250-750 euro/dollar
'Escape', photo, ±105x30cm, edition 10, no: 2005. 'Escape', photo, ±105x30cm, edition 10, no: 2005.03.12 Location: snowy road with high poplars, close to the Oosterwaarde near Deventer. The orange rectangle focusses and block the view. It also looks like an altar from which you might see smoke whirling up forming the sky.
'Landing pier', photo, ±50x80cm, edition 8. pric 'Landing pier', photo, ±50x80cm, edition 8. price range: 250-750 euro/dollar
'Door', oil on canvas, ±55x25cm, no: 2004.08.01 'Door', oil on canvas, ±55x25cm, no: 2004.08.01 This painting is partially silkscreened with oilpaint, edition 1 nfs (collection Artist)
'AntiChristo', oil on canvas, ±65x50cm, no:2004.0 'AntiChristo', oil on canvas, ±65x50cm, no:2004.07.01 After visiting my exhibition in Poland where Christo participated too. I noticed the difference in the making proces between original-image and after-image. This image is my reaction. This painting is partially silkscreened with oilpaint, edition 1 n.f.s. (collection Artist/ Staats Bosbeheer)
'Watermirror', oil on canvas, ±75x75cm, no: 2004. 'Watermirror', oil on canvas, ±75x75cm, no: 2004.06.01 This painting is partially silkscreened with oilpaint, edition 1 sold (collection Van de Laar)
'Field(part)', variation no 7, oil on linen, 60×38 'Field(part)', variation no 7, oil on linen, 60x38cm. First realization of partial silkscreen printing in oilpaint direct on the canvas. price range 500-1000 euro/dollar
'Field(part)', variation 2, oil on linen, 60x38cm, 'Field(part)', variation 2, oil on linen, 60x38cm, no 2005.02.02 First realization of partial silkscreen printing in oilpaint direct on the canvas. collection Pijpers
'Field(part)', oil on linen, 60x38cm. First reali 'Field(part)', oil on linen, 60x38cm. First realization of partial silkscreen printing in oilpaint direct on the canvas. collection Schelfhout
'Field (wide)', oil on canvas, 68×218, no 2002.04. 'Field (wide)', oil on canvas, 68x218, no 2002.04.07 price range 3000-5000 euro
'Field (wide)', oil on canvas, 68×218, no 2002.04. 'Field (wide)', oil on canvas, 68x218, no 2002.04.06 price range 3000-5000 euro
'Field (wide)', oil & acrylics on linen, 68×218, n 'Field (wide)', oil & acrylics on linen, 68x218, no 2002.04.04 price range 3000-5000 euro
'Field (wide)', oil on canvas, 68×218, no 2002.04. 'Field (wide)', oil on canvas, 68x218, no 2002.04.03 price range 3000-5000 euro
'Field (wide)', oil on canvas, 68×218, no 2002.04. 'Field (wide)', oil on canvas, 68x218, no 2002.04.02 price range 3000-5000 euro
'Field (wide)', oil on canvas, 64×211, no 2002.04. 'Field (wide)', oil on canvas, 64x211, no 2002.04.01 collection Teeninga-Wagemans
Field' (1999.11.33), gouache & printing ink on etc Field' (1999.11.33), gouache & printing ink on etching paper, 60x82cm.
'Field' (1999.11.32), gouache on etching paper, 60 'Field' (1999.11.32), gouache on etching paper, 60x82cm. n.f.s. (Collection Teeninga)
'Field' (1999.06.20), watercolour & gouache on etc 'Field' (1999.06.20), watercolour & gouache on etching-paper, 60x82cm. n.f.s. (collection of the Artist)
'Field' (1999.05.06), gouache on etchingpaper, 60x 'Field' (1999.05.06), gouache on etchingpaper, 60x82cm. n.f.s. (collection Amsterdam)
'Field' (1999.06.19), gouache on etchingpaper, 60x 'Field' (1999.06.19), gouache on etchingpaper, 60x82cm price range 1000-2000 euro
'Field' (1999.06.17),gouache, printing ink and cha 'Field' (1999.06.17),gouache, printing ink and charcoal on etchingpaper. price range 1000-2000 euro
'Field' (1999.06.10), gouache and acrylic on paper 'Field' (1999.06.10), gouache and acrylic on paper, 60x82cm sold (Collection Amsterdam)
'Field' (1999.06.13), gouache and pencil on paper, 'Field' (1999.06.13), gouache and pencil on paper, 60x82cm price range 1000-2000 euro
'Field' (1999.06.06), gouache and watercolour on p 'Field' (1999.06.06), gouache and watercolour on paper, 60x82cm (Framed by Profilex, Amsterdam 70x90cm) price range 1000-2000 euro
'Field' (1999.05.06), gouache and charcoal on pape 'Field' (1999.05.06), gouache and charcoal on paper, 60x82cm n.f.s. (Collectie Schelfhout)
2013 tree no 7004, gouache on paper I started my 2013 tree no 7004, gouache on paper I started my 100.000 different trees monster-project in 1995, still working on it ever since This tree (slightly altered) now services as a logo for a gardener
1995 tree no 186, gouache, pastel on paper I star 1995 tree no 186, gouache, pastel on paper I started my 100.000 different trees monster-project in 1995, still working on it ever since
1995 'tree' no 99, watercolour and siberian chalk 1995 'tree' no 99, watercolour and siberian chalk I started my 100.000 different trees monster-project in 1995, still working on it ever since
1993.05.44 'geschapen ruimte', monoprint & silkscr 1993.05.44 'geschapen ruimte', monoprint & silkscreenprint, 70x100cm Typography for Final Examination Artez 1993. Dutch Landscape, Haiku combined with image.
1993.05.05 'wieheeftbewogen', monoprint & silkscre 1993.05.05 'wieheeftbewogen', monoprint & silkscreenprint, 70x100cm Typography for Final Examination Artez 1993
1993.05.04 'roodenblauwengroen', monoprint&silkscr 1993.05.04 'roodenblauwengroen', monoprint&silkscreenprint, 70x100cm Typography for Final Exmaniation Artez 1993
1993.04.06 montekki&capuletti', silkscreen-monopri 1993.04.06 montekki&capuletti', silkscreen-monoprint FInal Examination project: square-metaphor, thanxs tot Rotterdam Philharmonic Orchestra and Valery Gjergiev for thiert live performces of Romeo & Juliet by Prokoviev. Exhibited at Internartional Print Triennial, 1994
1993.04.05 'Mercutio', silkscreen-monoprint Final 1993.04.05 'Mercutio', silkscreen-monoprint Final Examination Project: 'Square-metaphor', thanxs to Rotterdam Philharmonic Orchestra and Valery Gjergiev. Exhibited in Krakau, Prague, Neurenberg
1993.04.04 'Romeos death', silkscreen-monoprint F 1993.04.04 'Romeos death', silkscreen-monoprint Final examination Project: 'Square Metaphor' Romeo&Juliet, thanxs to Rotterdam Philharmonic Orchestra and Valery Gjergiev. First Exhibited at International Print Triennial, Cracao, Poland, 1994
1993.01.38 back-in-Holland-series, 'haven(2)', mon 1993.01.38 back-in-Holland-series, 'haven(2)', monoprint, 65x50cm, oil and printing ink on etchingpaper
1993.01.01 back-in-Holland-series, 'haven(1)', mon 1993.01.01 back-in-Holland-series, 'haven(1)', monoprint, 50x65cm, collection CBK Emmen.
1992.11.34 back-in-Holland-series, 'farm(1)', mono 1992.11.34 back-in-Holland-series, 'farm(1)', monoprint, oil on etching paper, 50x65cm, Artez Academy of Fine Arts, Finals exhibition, 1993
1992.11.32 back-in-Holland-series, monoprint, 50×6 1992.11.32 back-in-Holland-series, monoprint, 50x65cm, monoprint, collection Van Strien
1992.08.01 back-in-Holland-series-Nico, monoprint, 1992.08.01 back-in-Holland-series-Nico, monoprint, 50x65cm, collection vanMaastricht
1992.07.30 back-in-Holland-series 'treecave', mono 1992.07.30 back-in-Holland-series 'treecave', monoprint (oil on etchingpaper), 50x65cm,
1992.07.17 back-in-Holland-series-hanging-trunks, 1992.07.17 back-in-Holland-series-hanging-trunks, monoprint, collection DeGraaf-Slot
1992.06.20, back-in-Holland-series-horizontal-abst 1992.06.20, back-in-Holland-series-horizontal-abstract, monoprint (oil on etchingpaper), 50x65cm,
1992.06.17back-in-Holland-series, monoprint,oilone 1992.06.17back-in-Holland-series, monoprint,oilonetchingpaper, 65x50cm,
1992.04.14 Montclair Series (Ode to Clifford Still 1992.04.14 Montclair Series (Ode to Clifford Still - Egg), Oil on canvas
1992.04.13 Montclair Series (Red Stain), oil on ca 1992.04.13 Montclair Series (Red Stain), oil on canvas.
1992.05.19 Montclair Series, monotype, 65x50cm 1992.05.19 Montclair Series, monotype, 65x50cm
1992.05.18 Montclair Series, monotype, 50x65cm 1992.05.18 Montclair Series, monotype, 50x65cm
1992.05.17 Montclair Series, monotype, 65x50cm 1992.05.17 Montclair Series, monotype, 65x50cm
1992.05.16 Montclair Series (ode to Philip Guston) 1992.05.16 Montclair Series (ode to Philip Guston), monotype, 50x65cm
1992.05.14 Montclair Series, monotype, 50x65cm 1992.05.14 Montclair Series, monotype, 50x65cm
1992.04.15 Romeo & Juliet, Oil on Canvas, 1992.04.15 Romeo & Juliet, Oil on Canvas,
1992.03.07 Montclair Series (Montclair Remembrance 1992.03.07 Montclair Series (Montclair Remembrance), Oil on Paper, 50x70cm
1992-02-02, Montclair Series (Second Cadeaux on Lo 1992-02-02, Montclair Series (Second Cadeaux on Losing Fear), Oil on paper.
1992-02-01, Montclair Series (First Cadeaux on Los 1992-02-01, Montclair Series (First Cadeaux on Losing Fear), Oil on paper.
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